Awards for Artists
Image of Laura Bowler
Photo: Robin Clewley

Laura Bowler

Laura Bowler (born 1986) is a composer and vocalist specialising in music-theatre, multi-disciplinary work and opera. She has been commissioned and featured across the globe by ensembles and festivals, including the Royal Opera House, Music on Main (Canada), Ensemble Phace (Austria), Festiva Musica (France) and Omega Ensemble (Australia). As a vocal soloist she has performed and premiered works internationally, including the premiere of Louis Aguirre’s The Way The Dead Love as part of the European Capital of Culture Aarhus programme. She is also the vocalist in contemporary music ensemble, Ensemble Lydenskab, based in Denmark, and has recently formed a duo with Red Note Ensemble’s flautist Ruth Morley.

Bowler’s recent compositions include The Blue Woman, a chamber opera commissioned by the Royal Opera House and Britten Pears Arts; Wicked Problems for flute and soprano, which won the Royal Philharmonic Society Award for Chamber-scale Composition and was nominated for an Ivor Composer Award. Her other projects include music-theatre work, Houses Slide, a bike powered work for ensemble and cycling soprano commissioned by London Sinfonietta; FFF, for Huddersfield Contemporary Music Festival; and Antarctica, a 50-minute multimedia work for orchestra and vocalist co-commissioned by Manchester Camerata and BBC Radio 3.

Laura completed her BMus (Hons) at the Royal Northern College of Music and Sibelius Academy (Finland), followed by her MMus and PhD at the Royal Academy of Music. She also completed an MA in Theatre Directing at the Royal Academy of Dramatic Art. She is currently Lecturer in Composition at Guildhall School of Music and Drama, Trinity Laban Conservatoire and the Royal Northern College of Music. This season her new opera, Girl with the Hurricane Brain, commissioned by Ensemble Lydenskab premieres at Copenhagen Opera Festival in Summer 2023. She will also make her vocalist debut at Festival d’Aix-en- Provence in Diana Soh’s new opera, Façons tragiques de tuer une femme.

Receiving this award is a huge honour and responsibility for which I will be forever grateful. At this point in my career, it not only acts as an acknowledgement of my creative output so far, but it also provides a significant opportunity for me to reflect, interrogate and develop my creative practice. The past few years have led to me creating work that took a little too much of me and as a result destabilised my health. The financial security offered by this award will enable me to take much needed time to thoroughly investigate my compositional practice whilst allowing periods for creative and personal reflection between projects. The award has come at the most vital time for me, I cannot thank the Paul Hamlyn Foundation enough.
Laura Bowler

Examples of work


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WICKED PROBLEMS, 2020

Voice (Laura Bowler), Flute (Ruth Morley). Text from Timothy Morton’s Dark Ecology. 8 minutes 45 seconds duration (extract 2m). Commissioned by Sound Festival and premiered in October 2020 via live stream. This recording is from BBC Pacific Quay during Cop26 in 2021.


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FFF, 2017

FFF, 2017

Voice (Laura Bowler), ensemble, live electronics and video. Performed in 2018 at Music on Main Festival, Vancouver, with the Music on Main All Stars and Janna Sailor (Conductor). Original text by Lavinia Murray, collage text compiled by Laura Bowler (sources: John Holloway, Dada Manifestos). 30 minutes duration (extract 2m). Commissioned by Huddersfield Contemporary Music Festival and BBC Radio 3.


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HOUSES SLIDE (MOVEMENT 1 & 2), 2021 – Extract 1

HOUSES SLIDE (MOVEMENT 1 & 2), 2021 – Extract 1

Bike powered music theatre work for Soprano and Ensemble. Soprano (Jessica Aszodi), Conductor (Sian Edwards), Librettist (Cordelia Lynn), Bike Power Specialist (Colin Tonks), Live Electronics Designer (Matthew Fairclough), Concept Director (Katie Mitchell). 40 minutes duration (extract 1m 50s). Premiered 9 July 2021 at Southbank Centre by London Sinfonietta.


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HOUSES SLIDE (MOVEMENT 1 & 2), 2021 – Extract 2

HOUSES SLIDE (MOVEMENT 1 & 2), 2021 – Extract 2

Bike powered music theatre work for Soprano and Ensemble. Soprano (Jessica Aszodi), Conductor (Sian Edwards), Librettist (Cordelia Lynn), Bike Power Specialist (Colin Tonks), Live Electronics Designer (Matthew Fairclough), Concept Director (Katie Mitchell). 40 minutes duration (extract 1m 15s). Premiered 9 July 2021 at Southbank Centre by London Sinfonietta.